AAF-2022

Selection procedures Competition organisers are not to be envied, especially in these times. As long as the pandemic endures, there is the agonizing uncertainty as to whether the competition may take place at all or which restrictions have to be met. Naturally, the organisers also worry about the financing and whether their event will attract enough participants. How many will apply? And indeed, even up to two weeks before the deadline, it may happen that only few applications have arrived. The organisers get nervous and consider extending the deadline. But, most of the applications usually arrive at the last moment. Another worry is what to do when there are too many applications? There are various ways to conduct a preselection. It has almost become a standard requirement for applicants to supply a recording: a video must be uploaded or a link to a video recording must be provided. Several competitions planned Live auditions that precede the main competition ( Honens , Liszt Utrecht, Cliburn , Santander, Paderewski, … ). Some competitions limit the number of participants by accepting only the first 50 or 100 applicants (Aachen, Taranto, Epinal, …). The clear advantage for the organisers is that they do not have to carry out an elaborate preselection procedure. But, there is also a disadvantage: pianists who already have some concert engagements may find it difficult to plan everything and will wait until the very last moment to apply. So, these pianists would then have to be refused and the competition might miss some interesting performers. More and more online competitions exist where pianists may send their recordings or provide an internet link, after which a committee announces the laureates and invites them: the WPTA competition, the EUPLAYY competition in Germany, the Richter and G Clef online competitions in Korea, the Harmonium OnlinePlus competition in Armenia, the Carles&Sofia competition in Spain, the Champion’s Keyboard competition in Italy, the Aegio competition in Canada, the NextGen competition in the U.S.A. and more. The advantage is that participants do not need to travel to compete, and the organisers do not need to rent a hall for one or two weeks. However, the excitement and great experience of a live event and the special atmosphere with an audience is missing. The true sound of the piano should really be heard in a concert hall, and to make a fair judgment, the conditions should be the same for all participants. Will the entire recording be heard …? One cannot see nor meet the jury, which is another disadvantage. See the next pages for some more considerations that are important for the organisers of online competitions and the participants. Preselections Online competitions no travelling The first 50 are accepted …

Alink-Argerich Foundation 2022